The modern wooden font
sits at the north end of the central gangway, but
one's eyes are drawn irresistably towards the
great sanctuary.
The altar is
in the architecturally correct form of the Greek
revival, but still looks like nothing so much as
a bath tub.
Behind it, a gorgeous mosaic
of the Ascension dates, I think, from an 1870s
reordering.
In keping with the solemn
grandeur, the Stations of the Cross are large and
sombre. However, the beautiful art nouveau lamps
rather relieve this.
A gallery at the north end
contains the organ, and Delafosse's Martyrdom
of St Edmund is hung in
front of it.
A door in the north-west
corner leads into the Blessed
Sacrament
chapel, a post-Vatican II inovation.
There is a Lady chapel in
the north east corner, and a chapel to St Edmund
in the south-west, where the King and Martyr
endures, rather stoically, the traditional
cross-fired arrows.
|
|

Through
the box pews, the altar, in its gloriously Greek
setting.
|