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Chevington is one of those
fat, comfortable villages, of which west
Suffolk has so many. The church is away
from the centre at the end of a long lane
which once, I assume, led to the Hall.
Now, this is not a well-known church, but
I think it is a remarkable one, a
building that it is as beautiful as it is
interesting. It is one of the loveliest
interiors in Suffolk. All
Saints is a large church, in a wide, trim
graveyard, and rather fortress-like with
its red brick battlements. The south side
appears stark, though not unpleasing. The
spirelets on the 15th century tower were
later additions, intended to provide a
'view' from Ickworth House, as at Westley St Mary.
The true age of the nave is obvious from
the south doorway, which is a grand
Norman affair. It was obviously
considerably heightened in the late
medieval period. Was an aisle intended,
and even a clerestory? The chancel
appears low and functional beside it.
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You step into a stunning whiteness.
Everything is perfectly arranged, everything
engages the eye and lifts the spirit. The use of
whiteness and space creating a sense of the
numinous. The interior of this church was
completely refurbished in the 1980s. No punches
have been pulled in creating a fitting and
purposeful space for late 20th century worship.
It reminds me of many Catholic churches in the
way it has dispensed with clutter and created a
sense of openness, and although this is a CofE
parish church, the spirit of Vatican II has been
warmly embraced. The whole piece feels
devotional, and prayerful.
This
is one of the few Suffolk churches that was not
thoroughly restored in the second half of the
nineteenth century. This is due to an accident of
history. A restoration here in the 1820s took
away the roodloft stairs, as well as the remains
of the rood screen, and was therefore probably
structurally necessary. A major restoration then
took place in 1910, at which time a heavy wooden
screen was put across the chancel arch. This,
thank goodness, has now been removed, and one of
the most delightful chancel interiors in the
county is revealed. The chancel was reordered in
1984; the floor had been lowered at the end of
the 17th century, and now a horseshoe of bricks
was built up as a communion platform.
A
new altar was put in place, along with a
reservation pillar, affirming the Anglo-catholic
tradition of this parish. The east window, an
unusual date of of 1697, contributes to this
sense of simplicity and lightness. Stepping back
into the nave through the narrow chancel arch,
you come into a clear space in front of the
benches, many of which have medieval ends. The
lightness of this space is enhanced by the
openings either side of the chancel arch.
Something similar exists at Gedding. These are
furnished with flowers now, but would once have
had altars in front of them, giving a view of the
high altar. These date from the 13th century, so
would have pre-dated any rood system. You can
still find a piscina beside the southern one.
Elsewhere, all isd devotional, with
icons and statues. This quiet spirituality has a
dramatic counterpoint, however. In common with
several churches around here, the font shows
signs of iconoclastic attack. The panel on the
west side has had a great chunk taken out of it,
probably with an axe, and crude graffiti in a
17th century hand has been scrawled in one of the
shields. As the font carries no religious
imagery, the iconoclam must have been intended as
an attack on the idea of the font itself.
| But the 17th Century has
left its treasures as well. Under the
chancel arch are two similar ledger
stones: a winged hourglass and a cherub
flutter over the inscriptions Sin
shall be no more: Blessed are ye Dead
which Die in the Lord. There is a
quiet simplicity to them, fitting in this
church, and the theme is continued by a
sequence of simple memorials on the
chancel walls: in 1901, Cyril Miles died
aged twelve and a half from the
effects of a gun accident. The
following year, the Rector's son George
White fell in the moment of victory
while gallantly leading the storming
party at Gumatti Fort in the Waziri
Expedition. In 1915, his nephew John
White, son of the next Rector, was killed
at Gallipolli at the age of 24,
three illustrations that the early years
of the last century were dramatic in
their effect upon a rural East Anglian
parish. And yet, despite
this drama, this is one of the most
peaceful places I know, and you can't
help thinking that many Suffolk churches
that would benefit from a similar
makeover.
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