e-mail: simon@suffolkchurches.co.uk
St Mary and St Peter, Kelsale
| Saxmundham may not be the most attractive of Suffolk's
small towns, but Kelsale is a lovely suburb. The old
village centre of Kelsale, protected by County planning
policy, still has a convincingly rural feel, and the
church on the hill contributes to this.
Sheer delight. E.S. Prior's definitive Arts and Crafts lychgate. Your first sight, walking up from the old High Street and crossing the bridge over the stream, is E. S. Prior's magnificent lychgate of about 1890, probably the single finest Arts and Crafts movement structure in the whole of Suffolk. Mortlock, with uncharacteristic understatement, describes it as 'one of the best in Suffolk'. One wonders where there's anything else that comes even close; just Prior's work at Brantham, perhaps. |
The south aisle, with the tower at its west end. |
On stepping through
it, St Mary and St Peter looks rather curious, with the
tower at the west end of the south aisle,
as at Westhall. It is so for similar reasons; a large new nave was built to the north of the old on in the 14th century. it has to be said that the church is not wholly successful in its current form; it really is rather an awkward shape now, and the battlements and pinnacles on the tower are rather vulgar.
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| The south aisle was
lengthened in the late 19th century with the addition of
a reading room, intended for the education of children,
and their accomodation during services. As we shall see,
it is still used for both these purposes. So, we step through into the west end of the nave, and enter a gorgeous open space, cleared of all clutter; stone flags on the floor, and glorious light flooding in through the massive west window. The great font sits on the stone flagged floor; it is of typical Suffolk design, but of quite different proportions, as though a giant hand had squashed it.
The font melts like a ripe cheese in front of Shaw's reredos. The former reredos sits below this window; installed in the 1870s by Norman Shaw, it cut off much of the east window, and was moved, firstly to the side of the chancel, and then to its current position. It bears some examination, especially the way that the Old and New Testament stories match each other across the crucifixion.
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Glass in the nave
includes splendid work by William Morris, Ford Madox
Brown and Edward Byrne-Jones. The great pulpit
is 17th century, and was famous enough to serve as a
model for the one at Aldeburgh. At the east end of the south
aisle sits its upturned tester, now a table surrounded by
chairs. On the window sill behind stands a quaint
Victorian reminder that 'there is a time to speak, and a
time to keep silent'.
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| This lush interior is
not to be missed; along with Star
of the Sea,
this is as fine a document as East Anglia has of the Arts
and Crafts movement. St Mary and St Peter, Kelsale, is located at the northern end of Saxmundham's urban sprawl, in the heart of the old village centre. I found it open. |