e-mail: simon@suffolkchurches.co.uk
All Saints, Stradbroke
The imposing tower of Stradbroke. Phipson did rather a good job of preserving the De La Pole's finest moment. |
Stradbroke is perhaps the least
well-known of Suffolk's small towns. But it has a busy,
independent air, with its shops, school, library and
leisure centre. It reminds me of places of a similar size
in France. The church is in the centre of town, a large, imposing building. The 15th century tower, with its raised stair turret, is visible from miles away. Niches flank the west window, other windows build via a bell window to high battlements. It is one of Suffolk's biggest towers, probably because this was the parish of the De La Poles, now sleeping peacefully at Wingfield. Simon Cotton found a bequest for a new bell in 1428, which usually followed hot on the heels of a new tower, so is probably a good date. I have to say that I was in a fairly foul mood when I arrived here, having found Syleham, Denham and Wingfield all locked against me. But All Saints was open, and I stepped into a most welcoming interior that cheered me up no end. The vicar in the second half of the 19th century was the formidable J.C. Ryle, the famous protestant evangelical. He had a curious enthusiasm for plastering any available space with quotations from the bible. His are the Soviet-style slogans at Helmingham, designed to keep any Tractarian tendency of the Tollemaches in its place. Here, his work is rather more subtle, and aesthetically sound, on the chancel arch and roofbeams. |
| They were painted as part of a major
restoration of the 1870s. The architect was R.M.
Phipson, fresh from his
complete rebuilding of Ipswich St Mary le Tower; this church is on a similar scale, although
the exterior is pretty much intact, apart from a thorough
refurbishment.
Above, the chancel arch. Below, roof beams.
|
| Below the tower, there is a dramatic
picture of the interior during this restoration, a
reminder of just how drastic some of these makeovers
were. Ryle and Phipson reduced All Saints to a gaping
shell. Consequently, not much survives of the medieval liturgical integrity, except the font, which still retains its dedicatory inscription, and an amazing niche in the sanctuary. Mortlock feels it was probably an Easter sepulchre, but I don't see why it can't just have been a niche. Other points of interest include a large number of ledger stones at the west end of the nave. One is to two parents, who both died at the age of 25, "leaving two infants too young to be sensible of their loss". Also of interest are the altar frontal and hangings in the south aisle chapel, beautiful designs of wild flowers weorked by a one-armed curate, a delightful contrast with the stern puritanism of J.C. Ryle's chancel.
Stradbroke's most famous son was the loony xenophobe Robert Grosseteste, Bishop of Lincoln in the 13th century. He was lionised after the Reformation for, supposedly, standing up to the Pope; in fact, he aligned his diocese with the Barons rather than the King, and thus creamed off money that would have gone to Rome via the Crown. |
Above: An amazingly ornate niche in the sanctuary, a testimony to the patronage of the De La Poles. Left: The flower frontal. |
He became fabulously rich, as did his
crony Simon De Montford, who led the landed nobles
against Henry III in the Barons' War. Barmy old Arthur
Mee, in his The King's England, treats
Grosseteste as some sort of all-round Great Englishman
and proto-Protestant hero; mind you, Mee seems to think
that Foxe's Book of Martyrs was a work of great
humanity. The church that Grosseteste knew, and was
baptised in, was not this one, but was probably on the
same site.
|

J.C. Ryle's logolatrous sanctuary should send you all diving for your dictionaries.